Smart and savvy Boston TV reporter Charlotte McNally is back. In AIR TIME she’s taking on the fashion industry, where she learns “When purses are fake – the danger is real.” AIR TIME is the third of the back-to-back-to back Charlie mysteries—the first PRIME TIME won the Agatha Award for best first novel. FACE TIME is a BookSense notable book.
Without further ado, let’s hear from Hank:
1. How did you come up with the idea for this book?
Imagine the research I had to do into the world of designer purses! It was tough, but someone had to dive in….
Actually, Charlie’s investigation into the world of counterfeit couture came straight from been there-done that. In my day job as a TV reporter, my producer (not Franklin!) and I have done several in-depth investigations into the world of knock-offs—not only purses and scarves, but blue jeans and watches and DVDs and videos.
We went undercover and with a hidden camera—like Charlie does—into various back-alley stores where counterfeit merchandise was being sold, and also into some suburban purse parties where women—certainly knowing they were fake and thinking was fine—were scooping up piles of counterfeit Burberrys and Chanels.
You should know— law enforcement tells us, it’s not illegal to buy the purses—unless you’re buying large amounts that are obviously for resale. The illegality is in the copying and manufacture and sale of what’s clearly a trademarked and proprietary item. (As the elegant fashion exec Zuzu Mazny-Latos tells Charlie in AIR TIME—it’s like taking Gone with the Wind—and putting your name on the cover.)
Anyway—lots of AIR TIME is based on research and reality—besides the undercover work, and the research, I’ve done many interviews with the federal agencies in charge of battling counterfeiting, the attorneys who help big companies protest their products, and even the private investigators the designers hire to scout out counterfeits.
2. Are you more driven by plot or by character?
Ah, it’s both. I start with one little germ of a plot twist–and then figure out how Charlie is going to figure it out! So I know what I know–and she knows what she knows. And then she has to solve the mystery–based on what I let her know.
3. What’s your writing process/writing environment like?
I’ve been a television reporter since 19, um, 75. I’m still on the air at Boston’s NBC affiliate, and still at work as an investigative reporter. (And I’m always hoping my best story ever is just around the corner.) So I come to work at Channel 7 every morning—tracking down clues, doing research, hoping for justice and looking for a great story that will change people’s lives. (Hmm..sounds a lot like mystery writing!)
Then at night we go back home—and when I’m in writing mode, I write til about ten pm, in a wonderful study that’s lined with bookshelves. I admit—I have a cluttered desk, and no real filing system, except for “piles.” But I know where everything is. I like it to be quiet.. At the TV station, it’s chaotic and loud, with three TV’s blasting all the time—and I can work fine there! But at home, with the books—quiet.
Because my schedule is so tight, I keep track of my words. If I know I have to write 90,000 words by the deadline, I literally divide that number by the number of days I have—and then set that as a goal. I try to write maybe—two pages a day. And on weekends, more. If I can do that, I’m thrilled.
I push my way through a first draft. I say to myself—just get the story down. Just do it. And you can fix it later.
Then I cook dinner, and my husband and I have a very late dinner together! You can imagine how patient he is!
I used to be a pretty good cook, and diligent about exercise. My husband and I gave dinner parties and went to movies and went on vacation. Sigh. That’s all pretty much over. I have a full time job as reporter, a full time job as a mystery author, and a full time job as a wife (with two step-children and two step-grandchildren!) That doesn’t leave much time for much else.
4. What’s your favorite part of writing?
Revision, no question. I love that. You have this whole first draft, and you get to go back and see what you really have. I often have wonderful revelations when I read over the first draft—there are themes and rhythms and even clues that I didn’t realize were there! It’s always so rewarding.
And after 30 years in TV, I know how valuable editing is—so I look at it as a real treat. To get to polish, and tweak, and rearrange, and make it all shine—oh, it’s great fun.
The other favorite part—when readers love the books. I can’t tell you how often I’m out on a story, for instance, and a stranger will come up to me , and pull the book out of a purse or briefcase, and ask me to sign it. I can barely resist bursting into tears. It somehow completes the writing, you know? when someone reads it.
5. What’s the best piece of advice you’ve ever gotten about writing?
There’s a plaque on my bulletin board with the question: “What would you attempt to do if you know you could not fail?” That gives me a lot of courage.
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